Chroma leans into color — luminous whites, rich hues, clean separation. If Veritas is about restraint, Chroma is about presence. It's built for footage where you want the color to do some of the talking, without tipping into oversaturation.

Not at all. Chroma was designed to work beautifully across both editorial and emotional work. The color is elevated, not garish — skin tones stay true, and the vibrancy reads as polished rather than heavy. It's especially strong in natural light environments where color has room to breathe.

Chroma is built for consistency. The color separation that makes it feel editorial also helps it hold together when light sources shift — it doesn't fall apart under tungsten, mixed church light, or shade the way heavily stylized LUTs tend to.

Yes. Chroma LUTs are optimized for Rec.709 footage and work best applied after a log-to-Rec.709 conversion. They're tested across Canon, Sony, Nikon, Panasonic, Fuji, and other major camera systems and perform consistently across a wide range of lighting conditions.

Six 64-point .CUBE LUT files, installation guide access, and free lifetime updates. Make sure to create an account at checkout to ensure you can take advantage of future updates.